Friday, October 05, 2007

I have a question

Are New York Times theatre critics required to blow 0.08+ on the douche-bag breathalyzer before writing reviews on new plays? Somebody please tell me that Theresa Rebeck's Mauritius is more than just a Mamet knock-off as Ben Brantley proclaims. I won't be able to see it, but I'd no doubt enjoy the crap out of it.